How I Learned to Drive.....

Right....so this is the culmination of what I've been busying myself with for the past 3 months........

THE ORAL STAGE presents

PAULA VOGEL's

HOW I LEARNED TO DRIVE

Growing up in a family with thin, penetrable personal boundaries, Li'l Bit becomes the victim of an incestuous intimacy - Uncle Peck does not only teach his teenage niece to drive, but sexualises her childhood as well.

Narrated through a series of bittersweet flashbacks, HOW I LEARNED TO DRIVE is an honest, coming-of-age account on forgiveness, healing and growth – and how one can find light even from the unhealthiest of relationships.

HOW I LEARNED TO DRIVE was first produced in 1997 in New York City and has since been awarded, in addition to the Pulitzer: the Obie, the Drama Desk Award, the New York Drama Critics Award, the Outer Circle Critics Award, and the Lucille Lortel Award.

Featuring Amelia Chen, Johann Lim, Doreen Loo, Davina Goh and Mark Beau de Silva, with Kelvin Wong as Creative Director.

Supported by Living Arts and Autodetailer.

"…one of the best plays of the decade." – USA Today

"…a tremendous achievement; genuine and genuinely disturbing." – Village Voice

*FOR MATURE AUDIENCES

SHOWDATES & TIMES
4th – 7th June 2008 @ 8.30 pm
7th – 8th June 2008 @ 3.00 pm

VENUE
The Actors Studio Bangsar Level 3,
West Wing Bangsar Shopping Centre
285, Jalan Maarof Bukit Bandaraya 59000 Kuala Lumpur

TICKETS
RM33 (Adults); RM22 (Students, senior citizens & the disabled)

TICKET CONTACT
TAS @ BSC Box Office: 03-2094 0400/1400

OUR BLOG!
http://howilearnedtodrive.blogspot.com

ON THE WEB
http://www.theoralstage.com
http://www.theactorsstudio.com.my

Founded in 2004, The Oral Stage (TOS) is an independent youth theatre company comprising of youth from all walks of life, regardless of theatre background. TOS has nurtured more than 70 individuals to date and has 5 productions under its belt, having performed in several venues around Kuala Lumpur, The Klang Valley and Penang Island. Presenting a myriad of issues pertaining to youth today, the company utilizes theatre as a significant medium that engages, evokes and entertains an audience, while channelling across the voice of Malaysian youth.

Should you require additional information regarding the production or The Oral Stage, please contact Charmayne Chung at charmayne@theoralstage.com or Melissa Loovi at melissa.publicity@theoralstage.com

COME AND WATCH!!!!

If nothing else, to watch me get groped by Johann...... this year's Cleo Bachelor No 42